November 25th, 2009 @ 14:18
Cover Art

Many people have asked me about the cover of Perfecting and I always unwrap the book to show them the effect of the whole diptych. I knew I would want the lion’s share of control when it came to cover design. The book was such a long labour (of love) and I wanted it represented just so. So began the long trawl on the internet and beyond for the perfect image. There was a solid short list but nothing really it, until I came across the work of Polly Chandler. She is a brilliant American photographer working in various unusual media (pin-hole, Polaroid, toy camera) and what an eye.
If you go to her website and hold your mouse on the diptych that is now my book cover, the jpg tag reads, “action=spoof” which itself is perfect for a novel that plays with the landscape of the western as an analog for America. Funny, when the book was published I noticed the photo had a new name. It was called “unknown model”. I don’t know, Polly! You got pretty close to that guy for him to be unknown…
I love the front cover image because it can be read so many ways. Praying hands, but pointing down not up, dead person, praying hands, live person. A writer friend of mine, said, “It’s a girl’s junk, you know?” which I hadn’t seen until she saw it. I love the light, too, as it reminds me of the early Dutch painters — that glow!
Here is another favourite Polly Chandler which might have made the cover, too, but for the detail of publishers not liking faces to adorn covers. Apparently, it interferes with the reader bonding or something. Well, okay, maybe it does, like the way a film version can taint a book.




